{"id":484,"date":"2017-03-30T18:58:49","date_gmt":"2017-03-30T18:58:49","guid":{"rendered":"https:\/\/www.vanderbilt.edu\/internationallens\/?page_id=484"},"modified":"2017-10-05T20:15:56","modified_gmt":"2017-10-05T20:15:56","slug":"08fall","status":"publish","type":"page","link":"https:\/\/www.vanderbilt.edu\/internationallens\/archives\/08fall\/","title":{"rendered":"Fall 2008"},"content":{"rendered":"
\n
\n

Admission is FREE<\/strong> and open to the public.<\/p>\n

All films are shown at 7 p.m. in Sarratt Cinema unless otherwise noted.<\/p>\n

自慰视频 Faculty will provide an introduction and facilitate a post-screening discussion for each film.<\/p>\n

Sarratt Cinema is located on the first floor of the Sarratt Student Center at 自慰视频 University.<\/p>\n

International Lens Calendar<\/a> | Subscribe to the International Lens Mailing List<\/a><\/p>\n<\/div>\n<\/div>\n

International Lens<\/strong>, a film series with a global perspective, uses film screenings as a forum to promote conversation among 自慰视频\u2019s diverse community of students, faculty and staff. International Lens strives to transcend geographic, ethnic, religious, linguistic and political boundaries by facilitating conversation and greater cross-cultural understanding through cinema. The series is a partnership between the Office of the Dean of Students and academic departments, centers and programs.<\/div>\n
\n

For Nashville community participants in the International Lens screenings, parking is available at no charge in ZONE 2 Lot 2 on West End Avenue at 23rd ave south. Please avoid parking in spaces that are reserved and marked as such by signs. If the lot is full, there are abundant metered spaces on West End for which there is no charge after 6pm. Persons with disability access requirements may make arrangements and get information by calling 322-6400. Parking & Directions Map<\/a><\/p>\n

Sarratt cinema is located in the sarratt student center near 24th avenue south and vanderbilt place.<\/p>\n<\/div>\n

\n
NOTE:<\/strong> Due to unforeseen issues with shipping the print of Playing the Victim, the 7pm screening in Sarratt Cinema on Wednesday, November 5, will feature a projected DVD image, in Russian, with NO English subtitles. We apologize for any inconvenience.<\/div>\n
\n

Heavenly Creatures<\/h1>\n

Wednesday, September 3<\/strong><\/p>\n

Presented by: Claire Sisco King, Assistant Professor, Communication Studies<\/h2>\n

(1994) New Zealand<\/strong>. Director: Peter Jackson. Rated R. Based on actual events, this drama from Lord of the Rings director Peter Jackson retells the story of two adolescent girls, outcasts who become best friends, whose fantasy life becomes more intense as their bond becomes more obsessive. They murder one of their mothers when she threatens to break up their friendship, and stand trial in one of the most controversial cases in New Zealand history. English. 98 minutes.<\/p>\n

Regular Lovers<\/h1>\n

Wednesday, September 10<\/strong><\/p>\n

Presented by: Robert Barsky, Professor of French and Comparative Literature<\/h2>\n

(2005) France<\/strong>. Director: Philippe Garrel. Not rated. This elegiac film, which looks back at the events of 1968 in Paris, follows a young poet and draft dodger (Louis Garrel) as he transitions from impassioned idealist and revolutionary to hopeless romantic then to adrift bohemian and parasitic houseguest. Garrel’s semi-autobiographical, low-key epic muses on the personal and the political\u2014and the era when they were most vividly one and the same. In French with English subtitles. 178 minutes.<\/p>\n

Presented as part of The Tourn\u00e9es Festival.*<\/h2>\n

 <\/p>\n

Dans Paris<\/h1>\n

Friday, September 12<\/strong><\/p>\n

Presented by: Sarah Childress, Ph.D. Candidate in English<\/h2>\n

(2006) France<\/strong>. Director: Christophe Honor\u00e9. Not rated. This wistful tale of two brothers in the City of Lights recalls vintage Godard and Truffaut in its playful approach to serious subjects and its beguiling shifts in tone and tempo. Filled with references to iconic French films, Honor\u00e9\u2019s ode to the pleasures of love, family and lazy afternoons in bed reminds us that life is for living. In French with English subtitles. 90 minutes.<\/p>\n

Presented as part of The Tourn\u00e9es Festival.*<\/h2>\n

Wild Side<\/h1>\n

Wednesday, September 17<\/strong><\/p>\n

Presented by: Nora Spencer, Director of LGBTQI Life at the K.C. Potter Center<\/h2>\n

(2004) France<\/strong>. Director: S\u00e9bastien Lifshitz. Not rated. A tenuous family forms between a transsexual prostitute, Stephanie, her lover James and an illegal Russian immigrant, Mikhail. When summoned to provide comfort to her dying mother, Stephanie comes to rely on this support network as their bonds tighten through shared struggles and momentary triumphs. In French, English, Russian with English subtitles. 93 minutes.<\/p>\n

Presented as part of The Tourn\u00e9es Festival.*<\/h2>\n

Heartbeat Detector<\/h1>\n

Thursday, September 18<\/strong><\/p>\n

Presented by: Lynn Ramey, Associate Professor and Chair, Department of French & Italian<\/h2>\n

(2007) France<\/strong>. Director: Nicolas Klotz. Not rated. Many workers the world over complain that their bosses are crazy, but it\u2019s Simon\u2019s job to find out if his actually is. A human resources psychologist hired to investigate the bizarre behavior of the director of a German chemical firm, Simon uncovers secrets that the modern-day captains of industry have kept buried since the darkest days of World War II. In French with English subtitles. 141 minutes.<\/p>\n

Presented as part of The Tourn\u00e9es Festival.*<\/h2>\n

Caravaggio<\/h1>\n

Wednesday, September 24<\/strong><\/p>\n

Presented by: Vivien G. Fryd, Professor and<\/h2>\n

Vice Chair, Department of History of Art<\/h2>\n

(1986) United Kingdom<\/strong>. Director: Derek Jarman. Not rated. This reflection on art, sexuality and identity retells the life of the celebrated 17th- century painter through his brilliant, nearly blasphemous paintings and his flirtations with the underworld. The film incorporates Caravaggio\u2019s aesthetic in its own visuals and stars Tilda Swinton (Michael Clayton) and Sean Bean (The Lord of the Rings). In English. 93 minutes.<\/p>\n

Flanders<\/h1>\n

Thursday, September 25<\/strong><\/p>\n

Presented by: David Wood, Joe B. Wyatt Distinguished Professor of Philosophy<\/h2>\n

(2006) France<\/strong>. Director: Bruno Dumont. Not rated. Andr\u00e9 Demester\u2019s world consists of his farm and walks with his friend Barbe. There\u2019s not much to do in Flanders so he leaves to be a soldier in a far-off war. War\u2019s terrible reality forces him to make harsh decisions while, back home, Barbe suffers in a war of her own. When Andr\u00e9 returns, they discover that love may be their only salvation. Winner of the 2006 Cannes Grand Jury Prize. In French with English subtitles. 91 minutes.<\/p>\n

Presented as part of The Tourn\u00e9es Festival.*<\/h2>\n

Paprika<\/h1>\n

Tuesday, September 30<\/strong><\/p>\n

Presented by: Gerald Figal, Associate Professor, Department of History and East Asian Studies<\/h2>\n

(2006) Japan<\/strong>. Director: Satoshi Kon. Rated R. Three scientists invent a device that allows people to record and watch their dreams. The machine is stolen and the trio must find the thief as they ward off attacks on their own psyches. Dreams and reality merge while characters question the limits of science and surveillance in this exciting anime adventure. In Japanese with English subtitles. 90 minutes.<\/p>\n

Machuca<\/h1>\n

Wednesday, October 1<\/strong><\/p>\n

Presented by: The Center for Latin American Studies; facilitator, Jason Borge, Assistant Professor, Department of Spanish and Portuguese<\/h2>\n

(2004) Chile<\/strong>. Director: Andr\u00e9s Wood. Not rated. Pedro Machuca is an impoverished boy brought into an upper-class private school during Chile\u2019s brief socialist era. He is befriended by wealthy Gonzalo and discovers an exciting but complicated world outside his own. But the distance between the boys\u2019 two worlds ultimately becomes impossible to bridge once the bloody military coup erupts in 1973. In Spanish with English subtitles. 120 minutes.<\/p>\n

Nuovomondo<\/h1>\n

Wednesday, October 8<\/strong><\/p>\n

Presented by: Andrea Mirabile, Assistant Professor, Department of French & Italian<\/h2>\n

(2006) Italy<\/strong>. Director: Emanuele Crialese. Rated PG-13. An unexpected love blossoms between a Sicilian widower and a mystery-shrouded Englishwoman during their steamship journey to the \u201cnew world.\u201d They vow to reach the America of their dreams, whatever the cost. Crialese\u2019s novel imagining of the journey between two worlds, from a past left behind to a family transformed, makes for a fascinating reinvention of the emigrant saga and its themes of hope, sacrifice and forgetting. In Italian with English subtitles. 112 minutes. Additional support provided by the Max Kade Center for European & German Studies<\/p>\n

Enemies of Happiness’<\/h1>\n

Thursday, October 9<\/strong><\/p>\n

Presented by: Stacy Nunnally, Director, Gender Matters Programming, Margaret Cuninggim Women’s Center<\/h2>\n

(2006) Denmark<\/strong>. Directors: Eva Mulvad and Anja Al Erhayem. Not rated. In 2005, Afghanistan held its first parliamentary elections in 35 years. Among the candidates was Malalai Joya, a courageous, controversial 27-year-old woman. This documentary recounts the final weeks of her candidacy and provides a snapshot of life and politics in war-torn Afghanistan. Winner of the World Cinema Jury Prize in Documentaries at Sundance. In English and Dari with English subtitles. 59 minutes. DVD.<\/p>\n

Four Days in September<\/h1>\n

Tuesday, October 14<\/strong><\/p>\n

Presented by: The Center for Latin American Studies; facilitator, Mario Higa, Assistant Professor, Spanish and Portuguese Department<\/h2>\n

(1997) Brazil<\/strong>. Director: Bruno Barreto. Rated R. This tense and understated drama tells the story of the 1969 kidnapping of the U.S. ambassador to Brazil, Charles Burke Elbrick, by left-wing revolutionaries. Over four anxious days, the personal encounters between the kidnappers and Elbrick reveal a struggle between commitment and conscience in these men caught up in violent circumstances. Nominated for a Best Foreign-Language Oscar. In English and Portuguese with English subtitles. 105 minutes.<\/p>\n

<\/strong>On the Map<\/h1>\n

Thursday, October 16<\/strong><\/p>\n

Presented by: Ifeoma Nwankwo, Associate Professor, English Department<\/h2>\n

Please note: this film will be screened at 7:30 p.m. in The Commons Multipurpose Room 235.<\/em>
\n**Special Note: Before you see the film, visit the filmmaker’s blog here<\/a>**<\/strong>
\nThe Commons presents a Q&A with the director following the screening. (2007) Barbados<\/strong>. Director: Annalee Davis. Not rated. Shot on location in Guyana, Barbados and Trinidad, this documentary gives undocumented CARICOM migrants who have traveled throughout the region a chance to speak about their experiences. The film reveals a generally unknown aspect of Caribbean–undocumented migration. The linguistically and visually lush interplay between the voices of Caribbean Community migrants themselves, images from their lives, and the cultural and physical terrains of the islands reveals the complex tensions between individual and national self-image in the region and notions of a collective “Caribbean” identity. In English and Creole with English subtitles. 62 minutes. DVD<\/p>\n

I Don\u2019t Want to Sleep Alone<\/h1>\n

Friday, October 17<\/strong><\/p>\n

Presented by: Peter Lorge, Senior Lecturer, History Department and East Asian Studies Program<\/h2>\n

(2007) Malaysia<\/strong>. Director: Tsai Ming-Liang. Not rated. Homeless, Hsiao Kang is robbed, beaten and left for dead. He is found and nursed by Rawang, an immigrant worker who develops strong feelings for his patient, feelings that are reflected in the eyes of Chyi, a waitress in a run-down coffee shop. And so a triangle forms as a blanket of noxious fog settles over the city. In Taiwanese, Malay, Mandarin and Bengali with English subtitles. 118 minutes. Financial support provided by Mimi and Scott Manzler.<\/div>\n

\n

Los Muertos<\/h1>\n

Wednesday, October 22<\/strong><\/p>\n

Presented by: Jason Borge, Assistant Professor, Department of Spanish & Portuguese<\/h2>\n

(2004) Argentina<\/strong>. Director: Lisandro Alonso. Not rated. Through a clearing in the dense jungle, we see the dead bodies of two young people. Twenty years later, an old man named Vargas is released from prison. He heads downriver to find his daughter and slowly allows the jungle to reclaim him along the way. This gorgeously-shot film explores the boundaries between nature and civilization and the violence that lurks in both. Winner of the International Critics Prize at the Venice Film Festival. In Spanish and Guarani with English subtitles. 82 minutes. Financial support provided by Mimi and Scott Manzler.<\/p>\n

\"\"Cautiva<\/h1>\n

Wednesday, October 29<\/strong><\/p>\n

Presented by: The Center for Latin American Studies; facilitator, Marshall Eakin, Professor, Department of History<\/h2>\n

(2004) Argentina<\/strong>. Director: Gast\u00f3n Biraben. Not rated. Self-assured Cristina Quadri suddenly learns that she is Sofia Lombardi, the daughter of activists who disappeared in the 1970s. Forced to live with her birth family through court decree, she begins to question the life and the self she once knew. She also begins a search for the truth about her desaparecidos parents. The film angrily grapples with the horrors of Argentina\u2019s recent history and explores the consequences of repression, both political and psychological. In Spanish with English subtitles. 115 minutes.<\/p>\n

\"\"Smoke Signals<\/h1>\n

Thursday, October 30<\/strong><\/p>\n

Presented by: Jeffrey Tlumak, Associate Professor and Chair, Philosophy Department<\/h2>\n

(1998) United States<\/strong>. Director: Chris Eyre. Rated PG-13. Victor and Thomas travel to Phoenix to retrieve the ashes of Victor\u2019s father. Throughout their journey, the two struggle to understand themselves, their relationships and the ties that bind them to one another and to their culture. Based on short stories by Sherman Alexie, this touching drama is the first feature film to be written, directed, and co-produced by an American Indian crew and creative team. Audience Award winner at Sundance. In English. 89 minutes.<\/p>\n

\"\"The Host<\/h1>\n

Friday, October 31<\/strong><\/p>\n

Presented by: Paul Young, Associate Professor, Director of Film Studies<\/h2>\n

(2006). Korea<\/strong>. Director: Bong Joon-ho. Rated R. An exhilarating monster movie, both thrilling and provocative, this creature feature doubles as a cheeky satire on family ties and global affairs. A toxic monster, identified as the host of an unknown virus, is born when a U.S. military doctor orders a South Korean soldier to discard chemicals into Seoul\u2019s Han River. The monster snatches Gang-du\u2019s daughter (among scores of others) and he and his loving, though highly-dysfunctional, family set out to rescue her. In Korean with English subtitles. 120 minutes. Please join us for this Monster Mash event in costume! Event cosponsored by the Film Studies Program at 自慰视频.<\/p>\n

\"\"Stalags<\/h1>\n

Sunday, November 2<\/strong><\/p>\n

Presented by: 自慰视频 Holocaust Lecture Series; facilitator, Jay Geller, Assistant Professor of Modern Jewish Culture, 自慰视频 Divinity School<\/h2>\n

Please note: this film will be screened at 6 p.m.<\/em> (2008) Israel<\/strong>. Director: Ari Libsker. Not rated. The true story of a series of pornographic paperbacks called ‘Stalags’ that became national bestsellers in Israel during the early 1960s. At a time when Holocaust scholarship was in its infancy, these tales of lusty female SS officers sexually abusing camp prisoners gave many young Israelis their first exposure to the brutal realities of the Second World War. In Hebrew with English subtitles. 62 minutes. Financial support provided in part by Mimi and Scott Manzler.<\/p>\n

\"\"Playing the Victim<\/h1>\n

Wednesday, November 5<\/strong><\/p>\n

Presented by: Irina Makoveeva, Mellon Assistant Professor of Russian, Germanic & Slavic Languages Department and Leah Marcus, Edwin Mims Professor of English<\/h2>\n

(2006) Russia<\/strong>. Director: Kirill Serebrennikov. Not rated. This black-humored adaptation of Hamlet, by one of Russia\u2019s hottest young theater directors, follows the adventures of a young Muscovite, Valya, who \u201cplays the victim\u201d in video re-enactments of murders under investigation. As if being \u201ckilled\u201d day after day isn\u2019t bad enough, Valya must also face an oppressive home life and the reproaches of his dead father\u2019s ghost, who has a murder of his own to re-enact. Winner of the Grand Prize at the first Rome International Film Festival. In Russian with English subtitles. 100 minutes.<\/p>\n

\"\"Since Otar Left\u2026<\/h1>\n

Thursday, November 6<\/strong><\/p>\n

Presented by: F. Clark Williams, FLiCX Administrator, Office of the Dean of Students<\/h2>\n

(2003) France<\/strong>. Director: Julie Bertuccelli. Not rated. In this bittersweet tale of deception and affection, three Georgian women live together in their stately-yet-crumbling apartment in Tbilisi. The mother pines for her beloved son Otar, a physician who is now a construction worker in Paris. When her daughters receive tragic news about their brother they must make an impossible choice: should they tell their mother the truth or protect her from it? Winner of the Critics\u2019 Week Grand Prize at Cannes. In French, Russian and Georgian with English subtitles. 102 minutes.<\/p>\n

\"\"Body and Soul<\/h1>\n

Wednesday, November 12<\/strong><\/p>\n

Presented by: Alfredo Vergara, Deputy Director, Institute for Global Health<\/h2>\n

(2001). South Africa<\/strong>. Director: Melody Emmett. Not rated. A documentary examination of how HIV\/AIDS is forcing religious leaders in South Africa, a country where 90% of the population claim one sort of religious affiliation or another, to reassess their attitudes on sexuality. Part of the Steps for the Future collection, this film forms part of a media-advocacy campaign to promote discussion around HIV\/AIDS-related topics and to reveal the effect of HIV\/AIDS on individuals, families, communities and nations. In English. 52 minutes. DVD.<\/p>\n

\"\"Good Bye Lenin!<\/h1>\n

Friday, November 14<\/strong><\/p>\n

Presented by: Dieter Sevin, Professor and Chair, Germanic and Slavic Languages Department<\/h2>\n

(2003) Germany<\/strong>. Director: Wolfgang Becker. Rated R. Alex\u2019s proudly socialist mother falls into a coma in October, 1989, before the fall of the Berlin Wall. When she awakens, her heart is so weak that any shock might kill her. To protect his mother, Alex transforms the family apartment into an island of the past where he works to convince her that nothing has changed. In German with English subtitles. 118 minutes.<\/p>\n

\"\"Caramel held in conjunction with International Education Week<\/h1>\n

Tuesday, November 18<\/strong><\/p>\n

Presented by: Richard McGregor, Assistant Professor of Religious Studies and : Stacy Nunnally, Director, Gender Matters Programming, Margaret Cuninggim Women’s Center<\/h2>\n

(2007) Lebanon<\/strong>. Director: Nadine Labaki. Rated PG. In Beirut, five women meet regularly in a beauty salon to confide in each other about the joys and pain of love, longing, and responsibility. Layale has an affair with a married man while ignoring an admirer. Jamale, a recently divorced actress, frantically competes with younger women for work. Nisrine, a Muslim, worries her fianc\u00e9 might discover she\u2019s not a virgin. Rima develops a crush on a client. Aunt Rose contends with her demanding sister. Can their friendships see them through? In Arabic and French with English subtitles. 95 minutes.<\/p>\n

My Brother\u2019s Wedding<\/h1>\n

Wednesday, November 19<\/strong><\/p>\n

Presented by: Frank Dobson, Director, Bishop Joseph Johnson Black Cultural Center<\/h2>\n

(1985) United States<\/strong>. Director: Charles Burnett. Not rated. Pierce Mundy has only 24 hours to make a consequential decision: should he cast his lot with the downtrodden African-American community of Watts and go to his best friend\u2019s funeral or should he aspire for better things and attend his brother\u2019s wedding? In English. 81 minutes. The recently-restored, director\u2019s-cut version of independent filmmaker Charles Burnett\u2019s classic. Digibeta. Financial support provided by Mimi and Scott Manzler.<\/p>\n

\"\"Ten<\/h1>\n

Tuesday, December 2<\/strong><\/p>\n

Presented by: Gregg Horowitz, Associate Professor of Philosophy and Robert Talisse, Associate Professor of Philosophy and Political Science<\/h2>\n

(2002) Iran<\/strong>. Director: Abbas Kiarostami. Not rated. Renowned filmmaker Abbas Kiarostami\u2019s latest addition to the DV revolution, this \u201cdashboard cam\u201d drama focuses on ten conversations between a female driver in Tehran and the passengers in her car. Her exchanges with her young son, a jilted bride, a prostitute, a women on her way to prayer and others, shed light on the lives and emotions of women in the complex society of contemporary Iran. In Persian with English subtitles. 94 minutes. DVD.<\/p>\n

\"\"Bodas de Sangre<\/h1>\n

Wednesday, December 3<\/strong><\/p>\n

Presented by: William M. Akers, Senior Lecturer, Film Studies Program<\/h2>\n

(1981) Spain<\/strong>. Director: Carlos Saura. Not rated. One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker before or since. In this first film of his Flamenco Trilogy, Saura merged his passion for music with his exploration of national identity. Focusing on a single dress rehearsal for legendary choreographer Antonio Gades’s adaptation of poet\/playwright Federico Garcia Lorca’s tale of passionate revenge, the film features mobile camerawork and rhythmic editing that synchronizes the viewer\u2019s experience with the dancers\u2019 every movement. In Spanish with English subtitles. 71 minutes. DVD.<\/p>\n

INTERNATIONAL LENS<\/strong> is sponsored by the Office of the Dean of Students and coordinated by the Office of Arts & Creative Engagement and the Office of International Student & Scholar Services in collaboration with 自慰视频 University Academic Departments, Programs, and Centers.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Admission is FREE and open to the public. All films are shown at 7 p.m. in Sarratt Cinema unless otherwise noted. 自慰视频 Faculty will provide an introduction and facilitate a post-screening discussion for each film. Sarratt Cinema is located on the first floor of the Sarratt Student Center at 自慰视频 University. International Lens Calendar |…<\/p>\n","protected":false},"author":399,"featured_media":485,"parent":26,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"page_onecolumn.php","meta":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/pages\/484"}],"collection":[{"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/users\/399"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/comments?post=484"}],"version-history":[{"count":3,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/pages\/484\/revisions"}],"predecessor-version":[{"id":563,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/pages\/484\/revisions\/563"}],"up":[{"embeddable":true,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/pages\/26"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/media\/485"}],"wp:attachment":[{"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/media?parent=484"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.vanderbilt.edu\/internationallens\/wp-json\/wp\/v2\/tags?post=484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}